Hamid Reza Azizi Shad

Greetings and greetings. Hamid Reza Azizi Shad, born in 1975, lives in Karaj and is a painter and screenwriter. I have twenty years of experience in the field of painting and caricature. In the field of caricature, I have two awards, a medal of honor and a cash prize from the art competitions of the Japanese Yomiuri Shimbun newspaper, and a plaque of appreciation and a statue of honor and a cash prize from caricature competitions in Tehran and Karaj. In the field of painting, I have participated in four group exhibitions in Tehran at the Eric and Ehsan galleries and the Mina Alipour and Einar Zarei galleries. The main theme, content and style of my paintings are mostly postmodern and in a few special paintings, post-postmodern abstract. These works are specifically an explanation and interpretation of philosophical and ancient hermeneutics about the nature of the creation of man, the universe and existence and its relationship with the seventh art of cinema, which is simultaneously a combination of general and personal interpretation of several classic foreign films belonging to famous cinema directors such as Andre Tarkovsky, Stanley Kubrick and Ingmar Bergman and the makers of the Matrix film and works Da Vinci is an Italian artist who is the creator of man and the universe and the creator of existence. For this reason, in several paintings, the artwork has been deliberately removed from the frame and canvas and has been prominently and volumetrically removed from the frame or canvas. At the same time, mystical poems belonging to Hafez Shirazi and Rumi have been printed on the frame and canvas in color prints so that the main concept of the unity of existence in philosophy is expressed in these few paintings. The meaning and concept of the plurality of existence in philosophy is the human mind's tendency to reconstruct and reproduce mentally, intellectually, and cinematically and to create an image of the external reality and the universe, which is expressed in these few paintings in the form of color prints and photographs and even with the help of artificial intelligence. For this reason, in these few special paintings, mirrors have been deliberately used to express the mirror-like nature and virtuality of the nature of existence and the reality of the world, which in physics is called quantum. The concept of post-postmodernism refers to works that address the category of the world, man, and existence in the form of super-existence, super-real, and super-human. To explain this complex issue, this topic can be explained with the science of cinema and virtual networks, which is related to binary sciences. In the films Solaris, Mirror and Stalker by Andrei Tarkovsky and the film A Space Odyssey 2001 by Stanley Kubrick, the nature of the creation of the universe and man and the creator of the universe are referred to in the language of cinema. I have tried to interpret and explain the works of these two artists and film directors in these paintings and to reach a philosophical and artistic unity and to reach from the plurality of mental and cinematic existence to the unity of human existence with all philosophers, geniuses, artists and scientists, which I have referred to in the painting called Polaris 01, and finally I have reached the nature of the number pi in cosmic mathematics. This philosophical and cinematic piece has taken up about twenty years of my time and life. The elite of two German and Greek philosophers, Immanuel Kant and Plato, have referred to the subject of the plurality of existence and the unity of existence in their works, and I have taken the help of the art of cinema to explain and understand these two topics so that I can make these two topics understandable. For this reason, in the painting of Immortality in the Garden of Epicurus, I have realistically pasted two famous books by these two German and Greek philosophers onto the painting, and at the same time, I have quickly reached below the line of light and above the light to reach a general understanding of the transcendental world. Of course, Nikola Tesla, a famous scientist, has divided the general nature of existence into three golden numbers, 369, in explaining this important issue. It is worth noting that in these few paintings, cosmic numbers are mentioned that have no foreign equivalent and are expressed for the first time. At the same time, it is a personal interpretation of the painting of Mona Lisa by Da Vinci, which metaphorically refers to the nature of the creator of existence and the universe.