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Landscape painting throughout the history of art has never been merely a record of nature; rather, it has served as a field for reflecting human aesthetic, cultural, and philosophical concerns. From the romantic landscapes of the nineteenth century to the modern and abstract representations of the twentieth century, landscape painting has continuously engaged with light, color, form, and space, creating unique experiences of humanity’s relationship with its environment. The year 2025 witnesses a series of international exhibitions that revisit this long-standing tradition with a fresh perspective, tracing its evolution from classical landscape to contemporary visions. This article explores a selection of these exhibitions.

An exhibition of works by Kambiz Derambakhsh, titled “Tail and Snout,” will be presented on the Artibition website on Tuesday, December 9. The exhibition features a selection of the artist’s colorful works from the 2000s, along with some pieces related to his period of activity in the press and illustration. This collection primarily reflects Derambakhsh’s perspective on animals and plants, and on the coexistence of humans with this aspect of nature.

The book Essays on Contemporary Curatorship, compiled and translated by Savana Baghozyan, has been published by Art Hall Press. Comprising eleven texts across four chapters, the book is shaped around new concepts and effective current approaches in the field of curatorship. A section of the book’s description states: “Today, curatorship stands at the intersection of art history, cultural studies, philosophy, and art education, introducing new ideas such as self-reflexive curatorship and the exhibition as research.”