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In Niloufar Mohammadi's works, bodies, fabrics, and empty spaces are depicted with a measured gaze, not to represent a specific moment but to reflect on a life that is present yet disjointed. In these frames, humans stand side by side but in a contactless coexistence. In these works, the artist invites the viewer to silence and pause. It is as if time has stopped in these frames and humans are caught in the middle of a "non-being." This is while the fabrics have a dominant and meaningful presence. An element that sometimes creates the scene and sometimes draws a boundary. Perhaps behind these folded fabrics, our fears are hidden.

At first glance, Ali Chitsaz has created simple works with transparent colors that are more reminiscent of pop art, but with a little reflection, aspects of his critical art and his irony become apparent to the audience. He has included sarcasm in his frank and unabashed expression, and in this vein, he has also shown portraits of himself in his collection of works. He avoids beauty in expressing his vision and exaggerates the creation of elements.

The art industry is set to witness dramatic shifts in collector behavior, gallery strategies, and the use of digital technologies in 2025. The new report, “Art Market Trends 2025,” from Artsy, draws on more than 1,600 responses from galleries and collectors in over 60 countries to paint a detailed, multi-layered picture of the current state of the art market.In this article, we examine the report’s key findings to understand how changing expectations, an unstable economy, and technological advancements have shaped the art market this year.