Amin Moazami

Perhaps paying attention to Tehran—its everyday life, its urban symbols and landmarks, its history, or even its hidden corners that hold meaning for small circles of friends—is part of the Iranian path toward self-awareness, in search of understanding and discovering itself as a subject. This perceptual process of what is called “Iranian,” together with the global growth and expansion of fields related to the study of everyday life and the city, lends even greater legitimacy to the focus on Tehran—especially now, when, alongside political, economic, and social crises, it has acquired multiple new layers. At the same time, this tendency has carved out a market for itself, attracting enthusiasts who, at least in the field of visual arts, are willing to spend more generously on artworks related to Tehran. All of this, taken together, has opened the space for presenting Tehran-related art, and one can now see numerous cultural products related to Tehran and its associated subcultures in various forms—from mass-produced items (clothing, decorative products, etc.) to one-of-a-kind works of art exhibited individually. So, can we consider the “Tehran” exhibition, held at Artibition Gallery from July 17 to August 11, as part of this very trend?

Tehran, a city with a layered history and culture, is rich in urban symbols and historical monuments that not only shape the visual identity of the capital but also form an inseparable part of its residents’ collective memory. From the Azadi Tower to its squares, bridges, and landmark structures, these elements have evolved into a dynamic platform for portraying social, cultural, and historical narratives in contemporary Iranian art. Examining these symbols within artworks provides an opportunity to explore the connection between urban identity and artistic expression from a fresh perspective. With this in mind, we take a closer look at some of the works featured in the “Tehran” exhibition.

Tehran stands suspended somewhere in the twilight of its residents' sense of belonging. At times, it is a capital for migrants who have come in search of opportunity and a better future. At other times, it is the birthplace of those who entered the world here, have lived each day in this city, and who—each day—grapple with an inner struggle born of a feeling deeper than what others may know: a conflict between love for the city and concepts such as frustration, crowding, speed, noise, and smog.