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نیروان از کودکی به نقاشی علاقه داشت و سپس با گرافیتی اشنا شد در سال ۸۶ اولین نقاشی اش را با اسپری روی دیوار تجربه کرد و پس از ان سالها به مطالعه روی استایل های مختلف در سطح شهر پرداخت
و به تدریج علاقه مند به هنر عرفانی و معماری های دوره ی اسلامی شد و شروع به تمرین در این باب کرد. کشش او به فلسفه موجب تلاش او برای توضیح اگاهی در نقاشی های شهودی او شد و از هنر شهری فاصله گرفت. نقاشی های او عموما مضامین عرفانی و معنوی و پیدا کرد.
اثار او تصاویری عموما قرینه است که مرکزیت در ان ها از اهمیت ویژه ای برخودار است
Nirvan was interested in painting since he was a child, and then he got acquainted with graffiti. In 2007, he experienced his first spray painting on the wall, and after that, he studied different styles in the city for many years.
And gradually he became interested in mystical art and architecture of the Islamic period. His attraction to philosophy caused him to try to explain consciousness in his intuitive paintings and distanced himself from urban art. His paintings generally have mystical and spiritual themes.
His works are generally Correspondence ,centrality is one of his import elements
و به تدریج علاقه مند به هنر عرفانی و معماری های دوره ی اسلامی شد و شروع به تمرین در این باب کرد. کشش او به فلسفه موجب تلاش او برای توضیح اگاهی در نقاشی های شهودی او شد و از هنر شهری فاصله گرفت. نقاشی های او عموما مضامین عرفانی و معنوی و پیدا کرد.
اثار او تصاویری عموما قرینه است که مرکزیت در ان ها از اهمیت ویژه ای برخودار است
Nirvan was interested in painting since he was a child, and then he got acquainted with graffiti. In 2007, he experienced his first spray painting on the wall, and after that, he studied different styles in the city for many years.
And gradually he became interested in mystical art and architecture of the Islamic period. His attraction to philosophy caused him to try to explain consciousness in his intuitive paintings and distanced himself from urban art. His paintings generally have mystical and spiritual themes.
His works are generally Correspondence ,centrality is one of his import elements
