DAngers Gallery 28592
d’Angers gallery is opened in 2017 in a cultural city of Iran, Semnan, with main focus on contemporary painting, calligraphy, mixed-media and new digital photography. We collaborate with emerging as well as established contemporary artists in a long-term relation, respecting their creative process.
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address: Corner of Mirhaj St., Qaem Blvd., Semnan, IRAN
Mythical Journey
The artist plays its role in this melange and puts his fingerprint throughout this journey. In this far and near imagination, my mind is flowing so that the transformation occurs at a specific moment.
In these artworks exhibited in this gallery, the trend of my visual experiences in Iranian art from old times till now is presented; visual elements taken from Iran before and after Islam. High attention is paid to local and national art, attention to Carpets and Gelim and abstract motifs in Iranian hand carpets.
Circles and four sided shapes and objects have a special place in my artworks.
Krikomi says " each object has two aspects; public aspect which is seen by everyone and the spiritual and metaphysical aspect which is rarely seen by others.
Circle is the symbol and self being; an illustrator of wholeness of soul and shows the most important aspect of life in a thorough wholeness.
The absolute circle in Zen paintings can be imaged like Buddha Lotus flower which may appear in one of the Dante's dreams.
Absolute mandalas in European Christian art, is seen in architecture and paintings and its background is routed in Stone Age era when the pottery machine was not invented.
Circles in oriental artworks especially in Iran are varied visualities in the language of images in paintings and architecture of sacred places before and after Islam which appear in varied situations and are symbols of human existence in the human level and are symbols of human excellence.
Primitive mandalas patterns have never been impacted by aesthetic or economic considerations. Each archetype reflects a pattern from the unconscious to the outer world. As Karl Goostav Young has stated these things are not outputs of a simple mind.
And the four sided shapes are symbols of four seasons, four elements of life, water, wind, soil and fire and four points on the compass reflecting a eternal justification of an inevitable state before the creation starts.